Книги з філософії архітектури

architecture under the microscope. rem koolhaas’s essential toolkit to building anatomies

This collection is a look through the microscope at the real fundamentals of our buildings, revealing the essential design techniques used by any architect, anywhere, anytime. Conceived by Rem Koolhaas and made with the Harvard Graduate School of Design, it is a primordial toolkit to understanding how seemingly stable elements are actually in constant evolution.

Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, façade, balcony, corridor, fireplace, stair, escalator, elevator: the book seeks to excavate the micro-narratives of building detail. The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. It’s a guide that is long overdue — in Koolhaas’s own words, “Never was a book more relevant — at a moment where architecture as we know it is changing beyond recognition.”

Derived, updated, and expanded from Koolhaas’s exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, Manfredo di Robilant, and Jeffrey Inaba; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans.

In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter:

Custom split-spine binding: our printer modified their industrial binding machine to allow for the flexible, eight-centimetre thick spine
Contains a new introductory chapter with forewords, a table of contents, and an index, located in the middle of the book (where it naturally opens due to its unique spine)

Printed on 50g Opakal paper, allowing for the ideal level of opacity needed to realize Boom’s palimpsest-like design
Translucent overlays and personal annotations by Koolhaas and Boom are woven in each chapter to create an alternative, faster route through the book
Printed at the originally intended 100% size for full readability

The author:

Rem Koolhaas is a co-founder of the Office for Metropolitan Architecture. Having worked as a journalist and scriptwriter before becoming an architect, in 1978 he published Delirious New York. His 1996 book S,M,L,XL summarized the work of OMA and established connections of contemporary society and architecture. He was listed among TIME magazine’s 100 most influential people in 2008, and among many international awards and exhibitions, he received the Pritzker Prize (2000) and the Premium Imperiale (2003). He directed the 2014 Venice Architecture Biennale, coinciding with the first publication of Elements of Architecture.

The designer:

Irma Boom is a graphic designer specialized in making books. Since founding Irma Boom Office in 1990, she has worked with the likes of Chanel, the United Nations, OMA/Rem Koolhaas, Fondazione Prada, Pirelli, and Rijksmuseum Amsterdam. She received the Gutenberg Prize and the Johannes Vermeer Prize, the Dutch state prize for the arts, among others. Her work is in a permanent collection of the Design and Architecture Department of the Museum of Modern Art in New York. Since 1992, Boom is a Senior Critic at Yale University in the USA.

The artist:

Wolfgang Tillmans was born in Remscheid, Germany, in 1968 and studied at Bournemouth & Poole College of Art and Design. He is widely regarded as one of the most influential artists of his generation. His work, whilst appearing to capture the immediacy of the moment and character of the subject, also examines the dynamics of photographic representation. From the outset, he ignored the traditional separation of art exhibited in a gallery from images and ideas conveyed through other forms of publication, giving equal weight to both. His expansive floor-to-ceiling installations feature images of subcultures and political movements, as well as portraits, landscapes, still-lives and abstract imagery varying in scale from postcard- to wall-sized prints. His work has been shown at the Museum of Modern Art, New York, in 1996 and Tate Britain, London, in a major retrospective in 2003. He was awarded the Turner Prize in 2000.

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Since its original publication in 1978, Delirious New York has attained mythic status. Back in print in a newly designed edition, this influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas’s celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behaviour. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle — “the culture of congestion” — and its architecture.

“Manhattan,” he writes, “is the 20th century’s Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall).” Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York’s history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolours and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.

About the Author:

Rem Koolhaas is the internationally known architect, a founder of the Office for Metropolitan Architecture (O.M.A.) in Rotterdam, and author of the critically acclaimed S,M,L,XL.

Never before have so many buildings been constructed as today, and never has architecture had so many technological and design possibilities at its disposal. And yet there is a sense of unease about contemporary architecture. In their book, ­Sergei Tchoban and Vladimir Sedov show how in modern times we have lost the balance between outstanding works of architecture and the background structures that surround them, with every building striving to assert itself in relation to all the others – to drown them out if it can. Yet the ­modern age is certainly capable of developing a harmony of contrasts – it has everything it needs at its disposal.

After taking the reader on a foray through 2,500 years of architectural history, the authors arrive at the anomaly of modernism. They show what contemporary architecture must take into account if it is to achieve a satisfactory overall architectural impression that is harmonious in an entirely new way.

24 global, generous, and galvanizing principles to overhaul the way we think and to inspire massive change

Bruce Mau has long applied the power of design to transforming the world. Developed over the past three decades, this remarkable book is organized by 24 values that are at the core of Mau's philosophy. MC24 features essays, observations, project documentation, and design work by Mau and other high-profile architects, designers, artists, scientists, environmentalists, and thinkers of our time. Practical, playful, and critical, it equips readers with a tool kit and empowers them to make an impact and engender change on all scales.

About the author:

Bruce Mau is chief design officer of Freeman, one of the world's largest brand-experience companies, and co-founder/CEO of Massive Change Network (MCN), a Chicago-based global design consultancy. Mau has been a visiting scholar at institutions globally, and lectures widely. He became an international figure with the publication of landmark volume S,M,L,XL and authored Life Style, Spectacle and Massive Change,

Radical. Visionary. Poetic. Inside Utopia shows the future of living that architects and designers have envisioned.

Spectacular and reflective, unpretentious and efficient: the breathtaking Elrod House by John Lautner; the Lagerfeld Apartment near Cannes that seems like a set from a science fiction film; Palais Bulles in France with its organic and unique architecture. These interiors welcome habitation and spark curiosity while embodying the foundations of minimalism and bygone visions of the future. Inside Utopia delves into the rhyme and reason behind past designs that we still interact with today.

The architects, the owners, and the craftsmen like Gio Ponti or Bruce Goff who work behind the scenes created amorphous interiors that invite the mind to wander. At the time they were futuristic, confident, utopian, idealistic — we may not realize it, but they have shaped our current living concepts, and even now, they inspire us anew. Previously it has been difficult to attain access to these preserved interiors, but Inside Utopia unearths what was before unseen.

Understanding the relationship between design and technology is critical to the understanding of architecture.

This book clearly explains the core aspects of architectural technology: structural physics, structural elements and forms, heating, lighting, environmental control and computer modelling. The third edition includes six new case studies, more on structural types, new information on construction detailing, passive building principles and designing for different climatic conditions. This essential introduction to architecture will help students to integrate their design thinking with the appropriate structural and environmental solutions.

About the Authors:

Pete Silver and Will McLean teach at the School of Architecture and the Built Environment at the University of Westminster and are the co-authors of Fabrication (2006), Introduction to Architectural Technology (2013), and Structural Engineering for Architects (2014).

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The orthodox concept of the Modern, as it was passed down from the 1920s to the post-war era, has been in a state of crisis for quite some time. This is particularly visible in the fields of urban planning, architecture, and design. Theorists and practitioners have either fiercely defended it as a crowning historical achievement to be upheld and further cultivated, or dismissively rejected it as a short-lived and outdated episode that needs to be replaced with something different and new.

Architectural theorist and practitioner Vittorio Magnago Lampugnani suggests a third option: that we reformulate our understanding of the Modern, continuing to pursue its original social and humanist ambitions while radically re-examining its ideological, political, social, technical, functional, economic, ecological, and aesthetic assumptions. Our world, which continues to be shaken by dreadful wars, is also being sapped and polluted by our thoughtlessness and our greed. The capitalist compulsion to turn everything into a commodity has led to needless production and consumption, and we are both victims and accomplices of this predicament. The consumerist frenzy has brought completely new forms of exploitation and exacerbated the unjust inequalities between different parts of our world. Starting from these premises, the author puts forward a new design approach that strives for – and is defined by – durability.

This is an approach that rejects the frivolous waste of resources and superficial prolif­eration of images that have become commonplace today. It offers an alternative to the contemporary fixation on spectacles, both hollow and dangerous, and instead calls for measured restraint and substantial simplicity.

Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term ‘Public Humanities’. At the interface between an academic discipline and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too.

Whether this field of research remains a product of Western culture will only become apparent in the coming years. However, linking architectural debate with the humanities is an important concern of the papers collected here.

These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century. The lectures collected here are from a class on Public Humanities at Brown University.

About the Author:

Philipp Meuser, born in Hilden / Germany (1969), architect and publisher. Studied architecture in Berlin and Zürich with a focus on history and theory. Construction and consulting projects in Eastern Europe and Central Asia. Academic research on mass housing in the Soviet Union as well as publications on socialist architecture.

After the discovery of oil, the Kuwaiti State estab­lished a means of wealth distribution for its citizens through housing programmes aimed at improving standards of living. It allocated residential neighbourhoods for Kuwaitis and non-Kuwaitis through the introduction of two main ­architectural typologies: the apartment and the villa. However, in response to certain economic, sociocultural and regulatory constraints, an unplanned hybrid typology has recently emerged. The multiplex, specific to Kuwait and yet not officially recognised by the state, has become the ­informal expression of specific living needs that is now ubiquitous across Kuwait.

Here, for the first time, the authors of The Multiplex Typology explore everyday life in these hybrid homes, arguing that the one-size-fits-all housing model of the past is both ­outdated and unsustainable. But this book is not merely a doc­umentation of the ­current state of living in Kuwait, nor a straightforward analysis of Kuwaiti domestic architecture today. It is also an urgent and timely call for alternative approaches to housing that are sustainably driven, culturally rooted and responsive to future change.

An inspirational and insightful resource for architecture students, offering a fresh perspective and new approaches to the challenges of the 21st century

Architecture is a discipline that requires constant collaboration with the wider world, but too often architectural teaching and indeed building designs don't reflect this important fact. The Architecture Concept Book encourages the reader to look and think again, to draw inspiration widely and to consider the context in which the building will sit before putting pen to paper, or cursor to screen.

Building on the success of the first edition, James Tait has updated his original text with introductions to each section that inspire further creative thinking and understanding. With 18 new pages and 5,000 extra words of text, this revised edition is the perfect way in to the ideas and fundamentals that govern an often impenetrable industry for anyone interested in our built environment.

• Equips young architects with the essential tools for developing creative and original concepts.
• Presents thirty-two topics across the four steps of the design process.
• Covers the entire range of design stages, from assessing the site, addressing the social, environmental and political contexts of the building, understanding the programme inside out, assembling building components and creative approaches to economizing, reuse and craftsmanship.
• Features more than 200 sketches, plans and illustrations specially produced by the author, along with photographic references and an inspirational guide to further reading.

Contents List:

ASSESS: Wonder • Environment • Disorder • Memory • Function • Form • Irony • Politics ANALYSE: Walk • Influence • Reclaim • Respect • Obscure • Heroize • Improve • Improvise ASSEMBLE: Floor • Wall • Structure • Roof • Door • Façade • Stair • Services AUGMENT: Review • Diagram • Optimize • Economize • Colour • Contrast • Scale • Craft

About the Author:

James Tait is an architect, author and educator. Winner of the internationally renowned RIBA and RIAS Silver Medals in 2008, he has since gained considerable experience as an architect, leading a broad spectrum of high-profile projects at some of the best architectural practices in the UK. James is also a contributing writer to the Architects’ Journal.

Designing Japan presents renowned designer Kenya Hara’s vision of how his industry can support Japan in crafting a future founded on a unique philosophy of beauty as well as crowd-sourced wisdom from around the world. A master collaborator, meticulous organizer, and globally conscious innovator, Hara draws on more than three decades of participations in design work and exhibition curating, as well as deep professional interaction with creators from many fields.

In Designing Japan Hara reveals methods that make publicly accessible aesthetic inquiries of how this island nation will proceed as its population ages, other nations take over manufacturing, and technology develops. Illustrations and examples recognize successful problem-solving through design, proving that it is a living, changing industry that remains relevant not in spite of, but as a partner to, advancing technology.

About the Author:

Kenya Hara (*1958) is considered the most influential designer of present-day Japan. After graduating in design from the Musashino Art University of Kodaira in 1983, he worked as a curator and graphic designer before taking on the role of art director at Muji in 2002. Hara is president of the Nippon Design Center Inc., and head of the department of Science of Design at Musashino Art University. He has published widely on his design theory, including the books Designing Design (2007), White (2009), Designing Japan (2018), and 100 Whites (2019).

For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy.

Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness" -- a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns.

Through examinations of five of Kahn's great buildings -- the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven -- Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: The Philosophy of Architecture helps us understand our place and the nature of well-being in the built environment.

About the Author:

John Lobell is a researcher, instructor, and lecturer on the subjects of architecture, creativity, and consciousness. A professor of architecture at Pratt Institute, Brooklyn, since 1980, he has lectured widely and is the author of numerous articles. He has studied and worked with major creative and cultural figures of the twentieth century, including mythologist Joseph Campbell; architects Louis Kahn and Robert Venturi; Buddhist masters Chogyam Trungpa, Robert Thurman, and the Dalai Lama; and Tai Chi master Cheng Man-Ch'ing.
His previous books include Between Silence and Light: Spirit in the Architecture of Louis I. Kahn (Shambhala, 1979/2008), which has sold 25,000 copies across two editions, Joseph Campbell: The Man and His Ideas (1993), and Visionary Creativity (2015).

Time magazine noted that Seaside "could be the most astonishing design achievement of its era…." Visions of Seaside is the most comprehensive book on the history and development of the nation’s first and most influential New Urbanist town. The book chronicles the thirty-year history of the evolution and development of Seaside, Florida, its global influence on town planning, and the resurgence of place-making in the built environment. Through a rich repository of historical materials and writings, the book chronicles numerous architectural and planning schemes, and outlines a blueprint for moving forward over the next twenty-five to fifty years. Among the many contributors are Deborah Berke, Andrés Duany, Steven Holl, Léon Krier, Elizabeth Plater-Zyberk, Aldo Rossi, and Robert A. M. Stern.

About the Authors:

Dhiru A. Thadani is an architect and urbanist who has worked on projects in Asia, Europe, and North and Central America and now serves as urban design consultant to several U.S. and international cities. He is the author of several books. Vincent Scully is Yale University’s Sterling Professor Emeritus of the History of Art and Architecture, author of numerous books, and recipient of the National Medal of Arts, the nation’s highest honor for artists and art patrons. Paul Goldberger is a Pulitzer Prize–winning architecture critic and a contributing editor at Vanity Fair. He is the author of more than ten books and coauthor of many others.

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Thanks to the omnipresence of computers, cell phones, gaming systems, and the internet, a broad audience has traded its past reservations against technology for an almost insatiable curiosity for all things technical. Against this background, unprecedented new tools and possibilities are opening up for the world of design. In addition to sketchbooks and computers, young designers are increasingly using programming languages, soldering irons, sensors, and microprocessors as well as 3D milling or rapid prototyping machines in their work. The innovative use of powerful hardware and software has become affordable and, most of all, much easier to use. Today, the sky is the limit when it comes to ideas for experimental media, unconventional interfaces, and interactive spatial experiences.

A Touch of Code shows how information becomes experience. The book examines how surprising personal experiences are created where virtual realms meet the real world and where dataflow confronts the human senses. It presents an international spectrum of interdisciplinary projects at the intersection of laboratory, trade show, and urban space that play with the new frontiers of perception, interaction, and staging created by current technology. These include brand and product presentations as well as thematic exhibits, architecture, art, and design.

The comprehensive spectrum of innovative spatial and interactive work in A Touch of Code reveals how technology is fundamentally changing and expanding strategies for the targeted use of architecture, art, communication, and design for the future.

Access and accessibility are central themes in architecture and urbanism. The goal is to make buildings accessible both horizontally and vertically, as well as to provide them with technical infrastructure. But the aim is also to ensure the accessibility of whole streets, routes, parks, and squares, and even entire cities and regions. Today, access is a key concept in the most disparate areas of life. Thus, it is also a matter of access to knowledge and education, access to knowledge media like the Internet, access to healthcare, access to languages, etc. In thirteen articles, this book deals with this world of access in architecture, city planning, and neighboring fields. Topics include ensuring the accessibility of entire urban areas, renewing that of areas that were previously utilized differently, including the general populace in concept planning, and how architecture can help provide access to a better quality of life.